El Mundo

Painting catches emotions, like a shoal of silver fishes that falls in a net. The magic of the stopped moment is as mysterious as the dark mechanism that makes a birds flock move together hardly touching themselves. This mystery of the disturbing plays today, many years later, a prominent role in Jorge Hernández (Huelva, 1973) painting, who tells, in each work, a little story that carries many stories within it.

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